I just wanted to share some art journaling goodness with you all:-) I was thrilled to get my contributor copy of Art Journaling magazine and find me work on the cove! It totally caught me by surprise. As most of you know, I love art journaling and it’s my go to vehicle to teach workshops. They are such a valuable tool for any artist.
I hope you are finding time to explore your own journals~
Congratulations to Denise Spillane, Ajae McCain and Patricia Upshaw on winning a DVD! Please email me your shipping info at email@example.com and I’ll get them in the mail to you!!!
I appreciate all of the comments left and hope that you’ll consider getting my DVD’s. I also wanted to let you know that they also each have an optional PDF download that you can purchase. This is great to have by you at your art table after you’ve watched the DVD so you can follow along while you create!
They do not disappoint! The thing that I love about Seth’s stamps and stencils are that they can be used ‘in’ work. They don’t have to be the final image but can be incorporated mixed media style right into your journal page or artwork. They add structure, line and shape, building blocks for creating.
Here is a journal spread I did using two of his new stamps, “Net Work’ and “Inter Net”. Love those names too!!
Be sure to visit Seth’s BLOG for even more details and to see the whole line of stamps! And check out the links below to see more creations using his new stamps!!
Mary Beth Shaw
I’m thrilled to announce that my new North Light DVD’s are available!!! So much fun to finally see them ‘out there’. It’s been several months since I was shooting them in cold Cincinnati last February. The whole experience has been a joyful ride and I hope you’ll take a moment to check out the sneak peeks for the videos on the North Light shop (just click the video images below)
And there’s also a value pack available with the stencils I used in the Color Wheel Journal!!
I was messing around in my journal a couple of days ago and wanting to play a little differently I grabbed my Colour Shaper tools to paint this portrait without using brushes. Several people have asked about both the Colour Shapers and the method so I did another quick journal page in my Extra Large Moleskine Sketchbook (11.5 x 16.75″) and took some step out pictures to show the process.
Most important I think to using the Colour Shapers in this way is not to get bogged down by details, stay loose and go with the marks that they make!
The Colour Shapers are some of my favorite art tools and I keep them handy by my work table on my Raskog cart from IKEA.
Here are the sizes I like, and note that they come in both firm and soft tips and it’s good to have both as they will work differently with the paint.
I’m using my Fluid Matt Sheer Acrylics in Mustard Seed, Barely Black and White Washed. You can see that these are very fluid and also carry a high pigment load. You can try any acrylic paint and you will get various results depending on the viscosity of the paint.
I love this color palette as the Mustard Seed and Barely Black mixed together make a really warm gray color.
My model is my Asaro’s Head. This is such a wonderful tool for seeing how light hits on the different planes of the face. Here I just sketched the actual head, but you can use it to also sketch a more realistic face and get some great references to where shading and highlights should go.
As I work I wipe off the tool onto the background to start that off. By adding small amounts of White Washed to the gray mix I get various tones of color that I add the planes of the head. Switch to smaller tools as needed.
You can also wipe a bit of each of the tones you mix on the page somewhere to help document them. I do this a lot in my journal work.
(and yes, that’s a glass of wine in the background-keeps you loose while you paint😉
Remember to stop! I am not at all going for some finely detailed painting, I want it raw, so remembering to stop is important. In all this took less than hour from sketch to finished painting. Now I’m going to let it dry and then add some journaling to the page. This is a fun journal exercise to help you loosen up and play with shading and tonal values.
So as I said in my post yesterday, one way I want to make this journal different is by making it bigger. This is the standard journal size that I like to make. It’s big enough to have lots of room to play, but not overwhelmingly large.
The journal size I usually make
I used 90lb Fabriano Hot Press Watercolor paper. This is still my favorite for journal making because it’s not too heavy but the pages hold up very well to all sorts of media. It’s also easy to fold, tear and punch through. I get asked about this choice often and I’d like to insert that any paper that you like to use for mixed media art can be substituted. Your journal is a personal place for you to make art and the substrate you choose to work on is a personal choice. I just share what my favorite is:-)
To make the 7 1/2″ x 11″ journal that I made, tear four 22″ x 30″ sheets of paper into fourths, you’ll use 15 of these torn down pieces of paper. I used a tear bar but you can fold and score with a bone folder tool, wet the fold with a sponge and tear. Remember that this journal can be made in any size you want so if you already have a pad of paper you like you may just want to tear out pages and fold them in half.
Fold each piece of torn paper in half and score fold with the bone folder tool to create 15 folios. Nest three folios inside of each other to create 5 signatures of three sheets each.
Punch a center hole and one hole from each end for three holes total in the spine. (You can find complete instructions on stitching this in my book. Use waxed linen thread to bind each signature with a pamphlet stitch, tying the not on the inside of the signatures.
I like to store my awl and binding needle in a cork to keep them together and myself safe from being poked.
I get my waxed linen thread from the jewelry section of Michael’s or Hobby Lobby.
Because this is a larger journal and the stitches on the outside are a bit larger than my 2″ cloth tape, I’m going to use two pieces of tape in each stitch for a total of 4 pieces.
I find it helpful to use a piece of 2″ by 8″ piece of chipboard to act as a threader for the tape. Simply stick the edge of the tape to the chipboard and thread it through the stitches on the outside of the stack of signatures. Remove the tape from the chipboard and stick one side to the outside of the signature on one side of the stack. Then compress the stack of signatures and stick the rest of the tape to the other side of the stack. If needed use a second piece of tape beside the first one. Repeat for second outside stitch.
For the covers I like to use mat board or the heavy boards from the back of drawing pads. Just cut to the size of your journal. For the larger journals like this I like to have a nice sturdy cover so I wouldn’t recommend using just canvas as in the smaller journal in my book.
Use Yes glue or other good strong paper glue to attach the cardboard covers to the front and back of the signature stack.
To cover the spine I like to use Gaffers tape but any cloth tape including the one you used for the binding will work. Duct tape will even work. Just cut two pieces the length of your journal. Place one piece sticky side up on your worktable and then tear about a 1″ strip from the second piece of tape. Place this sticky side down, down the center of the piece on your worktable.
Set your journal, bound side down on top of the tape, it should be resting on the non sticky middle strip. Carefully stick the tape to the front and back of the journal.
Sometimes there’s a bit of a gap between the signatures when you ope your book.
To fix this I just add a strip of the cloth tape I used for the binding.
Let the glue set up overnight if possible, I like to weigh the journal down with a book or two on top of it. Then you’re good to go!
You can decorate your cover or leave it plain. For complete journal making instructions remember to check out my book Creating Art at the Speed of Life